artist/curator
Critical Imagination | Situated Knowledge | Mediated Presence| Spatial Inquiry | Exhibition as Medium
Hallberg instigated and curated:
WAP residency program and WAP Cohort (2023-). BKN/Björkö Konstnod, an art node in the Northern Stockholm Archipelago, Sweden (2020-25). AiRS a Socially Engaged Art Residency at Skovde Art Museum, Sweden. (2014-19/23)
Hallberg curated projects in Sweden such as:
CityArtlab (2010-11), Mural 2012 (2012), Distancio (2017-21), Magnitude (2022), The Sea That Surrounds us (2022), Trickle (2023) and Lucid Dreams (2025)
A Note Walking >>>
My artistic and curatorial practice investigates the relational conditions through which presence, subjectivity, and community are constituted. Engaging with situated communities, the work responds to the social and political contingencies of the public sphere while exploring lens-based and embodied practices as modes of relational inquiry. Drawing on an ethics of reverence, care, and attunement, I examine processes of co-becoming through which bodies, images, technologies, and environments are mutually implicated. My projects seek to create conditions for encounter rather than representation, attending to the ways meaning, agency, and belonging emerge through entangled relations. In doing so, the work addresses existential questions not as individual concerns alone, but as collective and ecological processes of living together. (av, july 2026)
Anna Viola Hallberg's artistic and curatorial practice unfolds across installation, moving image, sound, text, embodied practice, and collaborative production. Working between independent artistic research and projects developed with and for other artists, she investigates how artistic encounters are shaped by spatial, social, and material relations. Her practice explores the exhibition not simply as a framework for presenting work but as a medium through which knowledge, dialogue, and collective experience are produced.
Collaboration is central to Hallberg's methodology and critical position. Rather than treating it as a supplementary mode of production, she approaches collaborative processes as sites where authorship, agency, and responsibility are continuously negotiated. The movement between artistic and curatorial practice is therefore not disciplinary but methodological, with exhibition-making functioning equally as a form of research, experimentation, and public engagement.
Grounded in documentary methods while remaining attentive to the instability of memory and lived experience, Hallberg develops spatial installations that combine moving image, photography, sound, text, archival material, and sculptural interventions. Documentary images are rarely presented as fixed evidence; instead, they become points of departure for exploring how personal testimony intersects with collective memory and broader social, historical, and political realities. Her installations resist linear narration, constructing spatial and temporal situations in which meaning emerges through the interaction between image, body, site, and audience.
Embodied practice recurs throughout Hallberg's work as a mode of attention and relational inquiry. Whether through performance, site-based research, or collaborative processes, the body operates as a means of negotiating vulnerability, resistance, care, and co-becoming. Space is approached not as a neutral container but as an active participant in the work: a material, social, and affective environment in which encounters unfold. Through interdisciplinary and site-sensitive methodologies, Hallberg investigates how artistic practice can cultivate forms of attentiveness that foreground coexistence, interdependence, and the ethics of inhabiting shared worlds.
Across her practice, Hallberg is concerned with the existential dimensions of living together: how memory is carried, how presence is mediated, and how communities are formed through acts of listening, witnessing, and participation. Her work proposes the exhibition as a temporal and relational structure in which collective memory, embodied knowledge, and social imagination are not simply represented but continuously rehearsed, negotiated, and made public.
SELECT 2026-25
LENSBASED
CURATORIAL
EMBODIED
COLLECTIONS
RESIDENCIES
COLLABORATIONS
Artist/Curator
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◊ Msc, International Museum Studies, Gothenburg University, Sweden
◊ Ba, Cinema and Curatorial Studies, Stockholm University, Sweden
◊ Studio: Slakthusateljeerna (Stockholm)
◊ Member of KRO/Swedish Artists National Organization
◊ Member of WAP/Walking As Practice Cohort >>>
◊Member Node of WALC via WAPC >>>
◊ For full CV, previews and collections please contact the artist
Select Exhibition(Info aobut workrs shown gallery)
BECOMING LANDSCAPE (solo) DasEssZimmer, Bonn, Germany 2023 >>>
TYPOLOGIES OF SILENCE (solo) Museo de la Cuidad, Queretaro, Mexico, 2014 >>>
ANNA VIOLA HALLBERG
artist/curator
Based in Stockholm and Mariestad, Sweden