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ANNA VIOLA HALLBERG

artist/curator
Critical Imagination | Interdisciplinary Practice | Exhibition as Medium | Spatial Inquiry




Anna Viola Hallberg's practice unfolds across installation, moving image, embodied practice, sound, text, and collaborative production, examining the conditions through which artistic encounters emerge. Operating between independent artistic research and projects developed with and for other artists, her work considers how spatial, social, and material relations structure perception, participation, and collective experience.

Rather than treating collaboration as a supplementary mode of production, Hallberg positions it as both methodology and critical inquiry. Questions of authorship, agency, and responsibility are negotiated through processes that privilege exchange, situated knowledge, and shared forms of making. The movement between artistic and curatorial practice is therefore not disciplinary but methodological, with exhibition-making functioning as a site of research as much as presentation.

Grounded in documentary methods while remaining attentive to the instability of memory and lived experience, Hallberg develops spatial installations that combine moving image, sound, photography, text, and sculptural interventions. Archival materials frequently intersect with embodied narratives, producing environments in which individual experience becomes entangled with broader social, historical, and political structures. Her installations resist linear narration, instead constructing temporal and spatial situations in which meaning is continuously negotiated between work, site, and audience.

Embodied practice recurs throughout Hallberg's work as a mode of relational inquiry, where vulnerability, resistance, avoidance, and co-becoming are understood as material conditions rather than symbolic gestures. Likewise, space is approached not as a neutral container but as an active participant—simultaneously a site for fieldwork, exhibition, and social encounter. Through site-sensitive and interdisciplinary methodologies, Hallberg investigates how artistic practice can generate forms of attention that foreground coexistence, interdependence, and the politics of shared space.

Whether working independently or in collaboration, Hallberg approaches artistic production as a process of constructing discursive environments in which perception, remembrance, and affect are continually reconfigured. Her work proposes the exhibition as a temporal structure through which collective memory, embodied knowledge, and social imagination can be rehearsed, negotiated, and made public. "My work - as an artist/curator - interacts with specific communities, while addressing social or political contingencies and by this, taking on a critical stance towards public space/sphere an in the process relating to existential matters for the individuals as well as through society"



AV




Hallberg instigated WAP/WAPC (2023/25), BKN/Björkö Konstnod (artist/curator) an art node in the Northern Stockholm Archipelago and was its lead artistic director (2020-2025). The Previously she was the curator and co-founder of AiRS (2014-19/2023), Socially Engaged Art Residency at Skovde Art Museum, Sweden. Hallberg curated projects (2020-2025) such as CityArtlab(2010-11) Mural 2012 (2012), Distancio (2017-21), Magnitude (2022), The Sea That Surrounds us (2022), Trickle (2023) and Lucid Dreams (2025) as well as Walking As Practice/WAP (2023, 2024, 2025, 2026)







OVERVIEW 2026-25



- Publication, chapter, “Walking With: Presence, Entanglement, and Situated Planetarities as Methodology”,
for Nova University, Lisbon, Portugal, in progress publ. fall 2026

- Curator, “WAP26-Entanglement and Proximity”
Nomadic international walking arts program, Stockholm Archipelago, (co-curator Janice Jensen) August

- Walk With Me, Public Art Walk,
For Rurban Taks(available online via qr code), Harbor, Mariestad, July

- Keynote, “Walking With: Presence, Entanglement, and Situated Planetarities as Methodology”,
in Arte e Alteridade: Práticas Decoloniais, Museologia e Cidadania em Perspetiva Transnacional
Museu da Universidade Federal do Pará (UFPA), Belém do Pará, Brazil, June

- Keynote, “Möjliggörande infrastrukturer: förtroende och etik för ömsesidigt beroende”
Rurban Talks, Dacapo, Mariestad, Sweden, May

- Keynote, “Walking With: abundance and care to surrender”
Walking Art and Community based practices, WALC Course April

- Curator, Segredo do Artesão
performance and videoinstallation Portuguese artist Rui Mourão, Weld, Stockholm, Sweden, May

- Publication, chapter “Furrow in the Soil, Tear in Time: Walking as a Method of Epistemic Rebellion and Political Aesthetics
121 Press, Hägersten, Sweden, June/TBA

- Publication, chapter “Walking is Also Space”
"One by Walking, Transdisciplinary Mobilities and Methodologies”, Bloomsburg, co-author Ami Skånberg, March 2025

- Artist, “Consequences”, 1 ch, dual video projection
exhibition “Amistad”, Huerto Rumano, group exhibition, Lorca, Spain, Nov

- February 2026 Saint Signe - reliquiae collocatione, performance ritual, Galleri 5A, Norrtälje, Sweden
- December 2025, once whispered, the loss of two, text based thought image for Dark Envelope Publishing Series, Sweden (A)
- Curator “WAP24-Waking As Passion – Embodied Thinking"
Nomadic international walking arts program, Stockholm Archipelago, June

- Co-curator, WAPC Walking arts Cohort/Consortium/Collective
Supermarket Art Fair, Stockholm, April

- Curator “Lucid Dreams”
LAWS artists from Los Angeles with guest fr Stockholm, Sweden, Sept-Oct

- Curator & Director, BKN art node
Björkö Sweden Jan-May (ie 2020-2025 full year)
- WAPC becomes part of the EU Network and Educational project WALC, Aug



SELECT PORTFOLIO

LENSBASED


INSTALLATIONS
::: IMPERIAL DIFFERENCE (A) 2015 >>>
::: RECURSIVE DISTANCE - TYPOLOGIES OF SILENCE (A), 2015>>>
::: MEMORY -TYPOLOGIES OF SILENCE (A), 2015>>>
::: OUTPOST - TYPOLOGIES OF SILENCE (A), 2015>>> ::: REMINICENCE, 2 channels, 16.31 min, 2015 + 4 tiled (b/w) street posters of Bror Kronstrand, Anna Viola Hallberg, General San Martin and José Gonzales)
::: BETWEEN THE TWO OF US - TYPOLOGIES OF SILENCE (A), 2014>>>
::: MAKING THE IMMORTAL (A+), 2011/2014>>>
::: MOMENT: Grimmered (A+), 2012 >>>
::: STATE OF MIND (A+), 2006-2008 >>>
::: RESONANCE (A+), 2005-2006>>>

SINGLE CHANNEL
::: LANDSCAPE YOU, 2025 (w Ami Skånberg for group exhibition Outlandish by Rebekah Dean)
::: SCULPTURE YOU, 2024 (w Ami Skånberg for group exhibition Sculpture Trail, The Sky is moving sideways by Rebekah Dean)
::: CURRENT (w Ami Skånberg), 2025 >>>
::: CONSEQUENCES, 2023
::: FAKK THE SISTEM (w Ami Skånberg) 2023 >>>
::: SYSTEMET SUGER (w Ami Skånberg) 2023 ::: TOUCHING TIME (w Oona Hyland), 3 min 2021
::: ESTRID, 2019
::: ACCUMULATION, 20.34 min, 2014 ::: MAKING THE IMMORTAL(w Björn Perborg), 2013
::: RANCOROUS CALL (w Björn Perborg), 2006
::: STATE OF MIND PROLOGUE (w A. Karlsson Rixon), 2006


CURATORIAL





PUBLIC REALM PROJECTS
The project are often i rurban, rural or non conformative context
:: WALKING AS PRACTICE (WAP26) >>>
::: WALKING AS PRACTICE (WAP23-25) >>>
::: BJÖRKO KONSTNOD/BKN, Artnode with 205 visiting artists, Björkö, Sweden 2020-2025 >>>
::: BKN ART TRAIL, Björkö QR Code based sculptures on site, in addition to sound and video works, 2025
::: RADICAL SOFTNESS, (C/A+), Program, Björkö, Sweden Jan-Feb 2024 >>> ::: AiRS, Skövde Art Museum Residency PROGRAM2014-2019, 2023 >>>

::: TRICKLE (Rännil Konst i ån) (C) Norrtälje, Sweden (C+) 2023 >>>
::: MAGNITUDE PROGRAM, BKN, Björkö Sweden 2022 >>>
::: MAPPING SOCIAL ART PRACTICES for Skövde Artmuseum with field trips to Jakarta and Yogyakarta, 2023 - Yangon, Myanmar, 2019 - Lisbon, Portugal, 2016 - Havanna, Cuba for Airs, 2015 - Saint Petersburg, Russia 2014. Insitutional visits, NGOs, and around 15 studio visits per city. Selecting one artist to work in Skövde. The prepatory time about 6 months was a low residency propairing for artists project in Sweden.
::: BKN ART TRAIL, Björkö QR Code based sculptures on site, in addition to sound and video works, 2021

::: THE SEA THAT SURROUNDS US, Stockholm Archipelago, Sweden 2022 >>>
::: DISTANCIO, Region Jönköpings Län, Sweden 2018-2020
::: GOLD EARTH DOME 2016 >>>
::: MURAL 2012, Mariestad, Götene, Lidköping, Skövde 2011-12
::: CITY ART LAB - MINSK, 2010-11 >>>

ART SPACE
::: Segredo do Artesão, performance, video installation and public conversation, Rui Mourão (pt), Weld + Slakthusateljéerna, Stockholm (May 2026)>>>
::: BOOGIELAND, @ Supermarket Art Fair, Sweden 2024 ::: ISLAND OF BLISS, Summer Exhibition, BKN, Björkö, Sweden, 2022 ::: HEALING POWERS (aka PUNK NATURE), @ Supermarket Art Fair, Sweden 2022 ::: OUT OF ROCK, Summer Exhibition, BKN, Björkö, Sweden, 2021 ::: Reclaiming Meaning, Susana Pilar Delahante Matienzo, Skövde Art Museum, curator, July 2- Aug 26
::: WITH IN OUR SELFS solo exhibition with Anastasia Vepreva (Russia), Art Museum, Skövde, Sweden, September 2014

WORKSHOP ON SHARED SPACE
::: BJÖRKÖ IS SOMEONES KAMCHATKA, For KC ÖST at Björkö, Sweden, June 2023
::: LEZZIY THINK THANK, inconjunctino with exhibitions of STATE OF MIND tour, with support from Swedish Insitutute among other it was held with local communities Stockholm, Saint Petersburg, Minsk, Charkov, Kiev, Berkley, Saltzburg, Gothenburg, 2008-201


FIELDTRIPS grant/commissioned)
Japan, Indonesia, Myanmar, South Africa, Portugal, Cuba, Lebanon, Russia, Belarus, Ukraine Austria, Mexico, US, India

COLLECTIONS



::: State of Mind (full video and photography installation) in collection Gothenburg Art Museum, Gothenburg, Hallberg/Karlsson Rixon, 2016
::: Efterbild/After Image, Neon, Folkets hus och Parker, placed at Lidköping Folketshus, Stockholm. 2013
::: State of Mind, Marian, Mariana, Kir, Valeria, St Petersburg, 2007*, C-print 106×76 cm, Länskultur, Gävleborg länsmuseum, Gävle, Sweden, Hallberg/Karlsson Rixon, 2013
::: State of Mind, Muchabad and Alona, St Petersburg, 2007 , C-print 131×106 cm, Länskultur Gävleborg, Gävle, Sweden, Hallberg/Karlsson Rixon, 2013
::: State of Mind, Marina, Senya, Lena, St Petersburg 2007, C-print 93,5×76,5 cm, Göteborg Art Museum, Gothenburg, Sweden, Hallberg/Karlsson Rixon, 2008
::: Rancorous Call, Art Video Screenings archive/Art Screen, w. B. Perborg, Örebro, Sweden 2008
::: State of Mind Irina, Ilja, Sveta and Oksana, St Petersburg, 2007, Stena Foundation, Gothenburg, 2008


RESIDENCIES



::: BKN, Fellowship studio, 2020-2025 (CURATOR of residency, exhibitions + CURRENT, WAP etc)
::: SWAT, SPACES, Cleveland, Oh, Us, 2015 (5 weeks) IMPERIAL DIFFERENCES
::: Vandalorum/Region Jönköping, Värnamo, Sweden, 2015 (3 weeks) ACCUMULATION
::: Nordic Watercolor Museum, Hallberg/Perborg, Skärhamn, January 2015 (2 weeks) MAKING THE IMMORTAL
::: ProArte/Nifca, St Petersburg, Hallberg/Karlsson Rixon, artist 2006 (8 weeks) STATE OF MIND



COLLABORATIONS


PER PROJECT
WAPC (collective/cohort/coalition) - WAP26 with Janice Jensen (de) - Lucid Dreams with Susannah Mills & Rick Gradone - WAP23, Wap24, Current, etc with Ami Skånberg (SE) ie Berg Duo - Organism with Camilla Wessman (SE) - Thomas Oldrell (SE), Touching Time with Oona Hyland (IR)- Gold Earth Dome with Madeleine Hats (SE) - Resonance, State of Mind and MOMENT: Grimmered, with A Karlsson Rixon (SE) - Making The Immortal, Rancorous Call, Space Invaders - Agents Disarming Public Space and Melancholy & Absurdity with Björn Perborg (SE).

PER YEAR
Berg Duo with Ami Skånberg (se) 2023-25, Oona Hyland (ir) 2021, Irina Anufrieva (se/by) 2011, Camilla Wessman (se) 2017-19, Björn Perborg (se) 2006/2011/2014, Madeleine Hatz (se) 2016, A Karlsson Rixon (se) 2005-12, Carolina Falkholt (se) 2011










BERG DUO (2022-25)



ANNA VIOLA HALLBERG AND AMI SKÅNBERG
They moved between studio based and the outdoor practice. Walking is an integral part of their work. It intersects lens and embodied practices, towards reconfigurations of subjectivity by visualizing possible futures.
Concepts of in-between and the state of becoming are central and their work is relates to artistic research on care, proximity, and responsibility.
Berg Duo worked at the intersection of interdisciplinary (walking, lens and embodied art practice and theoretical inquiry.
Together they initiated WAP/Walking As Practice (Residency Program 2023-25 at BKN, Björkö Sweden) >>>
Portfolio on WAP >>>


PRESENTATIONS

INSTALLATION, PUBLICATON, PRESENTATION, FIELDTRIPS,
:::"Black-Market Truths: Performative Wisdom in Passion, Grief
and Madness", with Perormance Philosophy at XXV World Congress of Philosophy, Rome August (2024)
::: FIELD TRIP to Japan Berg Duo Kumano Kodo, Kyoto, Tokyo July(2024)
::: "EMBODYING HASHIGAKARI - Immanent Encounters With Bridges" (2025) The later filmed during public Suriashi events.
::: Co-curated together with John Schuerman "Walking With Passion", WAP25/WAPC @ Supermarket Independent Art Fair, April 2025 ::: "A Tread of Scores" or "The Unfold" Relay based international walking score series taking place at Stephens House and Gardens, London, United Kingdom, Shannon River, Limerick, Ireland + web based, 2025
::: FIELD TRIP to Indonesia May (2023)
::: "Walking is Also Space – Walking Beyond Distance" for the anthology by OnebyWalking, Bloomsbury, 2026

(Suriashi for series was made for an installation Embodying Hashigatari
Title: Suriashi for Björkö
Date: Sept 5th, 2023, Sweden
Participants: artists from WAP23
Video from part 1, Wooden Pathway/bridge
Img above is from part 2. Road side.
A community walk was made on December 3rd, 2023 as an inaguration of a site for a qr based art walk o Björkö, BKN ART WALK.

Title: Suriashi for Norrtälje
Date:June 30 - August 14 2023, Sweden

Participants:general public (about 100 participants)
Site: Faktoribron (bridge in central Norrtälje). Official innaguration of Trickle Art In the River Norrtäje. Public participation via QR code during the exhibition.

Title: Suriashi for Bonn
Date: August 11
Participants: Public Participation
Site: Clemens-August-weg, Bonn Germany
Part of exhibition Becoming Landscape at DAS ESSZIMMER – Raum für Kunst+ >>>

Title: Sculpture You >>>
Date: September 1-9, UK
Site:Stephens House and Gardens in The Sky is Moving Sideways. Curated by Rebekah Dean

Title: Suriashi for Rome
Date: 4 August at 8-8.40am
Site: Ponte Fabricio (Tiber Island Bridge), the oldest bridge in Rome, built in 62 BC. by Lucius Fabricius
Invited co-walker:
Context: World Congress of Philosophy >>>

Title: Centennial Walk >>>
Date: August, 2024
Site: Tiber Island Bridges, Rome + Stephens Garden London +
Invited co-walker: Rebekah Dean, John Shuerman, Eli, Mark
Context: World Congress of Philosophy

Title: Sculpture You (walking score)
Context: Open air exhibition /sculpture trail "The Sky is Moving Sideways"
Date: Sept 1-9
Venue: Stephens House and Gardens, London (uk)
Curator: Rebekah Dean

Title: Suriashi for Tokyo
Date: July 2, 2024
Site: Tokyo University, Komaba campus, Japan
Invited co-walker: CY CHEUNG

Title: Suriashi for Kyoto
Date: July 9th, Japan
Site: Taihei-kaku, Shin-en Gardens, Heian Jingu, Kyoto, Japan Solowalk by Ami Skånberg in public space.

Title: Suriashi for Ise
Date: July 20st, Japan
Site: Hiyoke-bashi, Ise Jingu Geku, Outer Sanctuary, Japan
Invited co-walkers: Danubak Matalaq and Chiahung Yang Activists from Taiwan


CURRENT (A+) (screendance/essay film)
Fesival Videodanza, Puerto Rico, April 2024
Screendance Festival, Sweden, April2024
Supermarket Art Fair, Sweden, April 2024
Wicklow Screendance Laboratory, Ireland, March 2024
Almaty Underground Screening Series Kazakhstan, Jan 2024
::: "Sculpture You" at the sculpture trail/open air exhibition: "The Sky is Moving Sideways", Stephens House & Gardens, London (uk). A sculpture trail by curator Rebekah Dean. BERG DUO presents SCULPTURE YOU a wakling score, Group Show. Sept 2024 >>>

::: WAP24, Walking As Practice Program September Edition, BKN, Björkö, Sweden Aug 15-Sept30, 2024
::: At World Congress of Philosopgy, CENTENNIAL WALK, Rome, Italy, August 1st, Berg Duo >>>
::: At World Congress of Philosopgy, UNMADNESS, Rome Italy,August 7st, Berg Duo part of invited session with Performance Philosophers >>>




WALKING IS ALSO SPACE (C+/BERG DUO) for OneByWalking, Korpo, Finland (April, 2023)





ANNA VIOLA HALLLBERG

Artist/Curator

Click on images to make them bigger and get intro text.
For more extensive info select from grey area.

<B>IMPERIAL DIFFERENCES</B> <BR> SPACES Gallery, Cleveland Ohio<br> <br> Channel 2: Overlap Between Two<br> Trt: 20 min<br> Format: hd video with sound, 2.35:1 (cinemascope)<br> Language: English and Russian (eng subs)<br> <br> <br> Channel 1: Borderland<br> Trt: loop (pre amble to Overlap Between Two<br> Format: hd video with sound, 2.35:1 (cinemascope)<br>
<b>MAKING THE IMMORTAL</B> <BR> Gallery Konstepedemin, Gothenburg, 2013<br><br><br> <p>Year: 2013/14<br> Duration: 9 min<br> Camera: Bror Kronstrand <br> Artists: Anna Viola Hallberg and Bjorn Perborg<br> Based on footage from the private archive of the Bror Kronstrand <br> from the archive at Vadsbo Museum, Mariestad, Sweden<br> Scanning 16 and 35 mm: SVT<br> Theatrical mix: Gustaf Berger, Auditory</p> <p>Making the Immortal is a poetical/political non-fiction film and installation by Anna Viola Hallberg and Bjorn Perborg exploring man’s quest to be remembered. This is made via the life and work of a portrait painter who passed away half a decade ago, Bror Kronstrand. Once an acclaimed artist who traveled the world extensively, today he is almost completely forgotten.</p> <p>Making the Immortal is a subjective work where two artists reflect upon the traces of a third. The project is predominantly built upon archive material that has been reformatted to the selected narrative(s). Private photographs, newspaper clippings, objects, 16 and 35 mm film are taken further through video, photography, slideshows, facsimiles, and enlarged segments of letters.
IMPERIAL DIFFERENCES <br>Recursive Distance <br> Lulea Konsthall <br> <br>Typologies of Silence is a set of social situations where the discourse has been submerged as if there is something that needs to remain hidden. The narratives explore the path between fact and fiction in order to obtain status. In Hallbergs work this leakage is explored up on as she brings forward and critiques the fragile state of the subject, intertwined with contemporary contingencies touching up on geopolitics, rememberance and status within society. <br><br> Series include BETWEEN THE TWO OF US, OUTPOST, RECURSIVE DISTANCE and MEMORY.
</B>TYPOLOGIES OF SILENCE<br>MEMORY</B><br>Installation view, Museo del la cuidad, Queretaro<br> parial view of Tipologias del silencio, 2015 <br><br> Kronstrand made this journey primarily to see the city of the Aztec. He started out in November 1923 and left Mexico in January 1924. At the time Veracruz was a major port of entry for European immigrants today. The same district today is frequented by the cargo trains with immigrants from the south “La Bestia”. Kronstrand made a number of portraits of prominent people during his stay in Mexico City. Memory is the leakage between Kronstrands and Hallberg's journey in Mexico in two different centruries. <br><br> Typologies of Silence is a set of social situations where the discourse has been submerged as if there is something that needs to remain hidden. The narratives explore the path between fact and fiction in order to obtain status. In Hallberg's work, this leakage is explored upon as she brings forward and critiques the fragile state of the subject, intertwined with contemporary contingencies touching up on geopolitics, remembrance, and status within society. <br><br> Series include BETWEEN THE TWO OF US, OUTPOST, RECURSIVE DISTANCE, and MEMORY.
<b>ORGANISM</b><br>Prototype<br><br><br> <p>Prototype of counter-public response to the dramatic lack of studio spaces in Stockholm. The concept developed by MONUMENT STUDIOS can be implemented in rural areas as in outer and inner cities. ORGANISM was initiated as a social art project with rhizomatic and sociocratic methodologies at the crossroads of sustainable, and affordable art studios and possibilities to show art, interlinked with responsible urban planning and counter-publics. <br><br>In the spring of 2020 we are looking into building a consortium to see if we can take the idea into reality. The volumes are constructed from sustainable materials and based on a circular economy. They are semi-permanent <em>urbanartgardens</em> where the artists follow the cluster as they reach a new destination. This way continuity in production is maintained and the peer group remains more stable. The studio dimension is constructed to give the best possible environment for the artists to affordable rent. <br><br>The in-between spaces are used for art production and exhibitions and are set up to embrace public interlocutions. We see the meetings with policymakers and public officials as an ongoing intervention to present new perspectives on art and artists in society. Collaboration between Anna Viola Hallberg and Camilla Wessman.</p>
<b>RESONANCE</b><br>Uppsala Art Musuem<br><br><br> <p>Resonance explores the installation as a medium for a documentary on artists and their reflections on the boundaries of; informal networks, the image of the artist, responsibility, position in the contemporary society as well as in a historic perspective. Resonance is a documentation of the contemporary art scene based on filmed portraits, photography and interviews with artists, curators and art historians who have, in one way or another, made an impression within the art world. The installation entails two segments one called Resonance, Installation and the other Resonance, Conversations.</p> <p>Artists: Anna Viola Hallberg & A Karlsson Rixon<br> Year: 2005-06</p> <p><b>Resonance, Installation</b><br> 1) Dual projection with sound<br> Duration: 11m 53s<br> Media: HDV projection from server (b/w)<br> two projectors, two screens, each 365 x 205 cm stereo, four speakers<br> Language: Swedish and Danish.<br><br> 2) Private Premises<br> Media: Portraits of each artist, fiber prints (b/w), 90 x 72 cm, wooden frames</p> <br><br> <p><b>Resonance, Conversations</b> <br> (Monitor + Process photographs)<br><br> 1) Monitor with sound<br> Media: HDV 16:9 (b/w)hard drive media player<br> three headphones<br> Runtime: 1h 21m 11s, loop<br><br> 2) Process photographs<br> Media: 20 fiber prints (b/w), 27 x 47 cm<br> passepartout, metal frames</p> <br><br> <p>Resonance, Conversations is a 1 h 20 m video piece with the ten participants talking, and twenty documentation photographs from the process of making the project. It poses questions concerning life choices, strategies and power and presents thoughts on professional identity as well as possibilities and ideas for cooperation within the field of contemporary art.</p> <br><br> <p>Appearing in Resonance: Annika Eriksson (SE/Berlin), Annika von Hausswolff (SE/Gothenburg), Annika Larsson (SE/New York), Maria Lind (SE/Stockholm), Annika Lundgren (SE/Berlin), Tone Olaf Nielsen (DK/Copenhagen), Ann-Sofie Sidén(SE/Berlin), Annika Ström(SE/Hove), Gitte Villesen(DK/Berlin) and Annika Öhrner (SE/Stockholm).</p>
STATE OF MIND<br>Gothenburg Art Museum <br><br><br> <p>The installation was on tourbetween 2008-2012, it was a self organized project by the artists with different funding for various steps in the process of making the project and for each exhibition.<br><br> Title: State of Mind<br> Artists: Anna Viola Hallberg and A Karlsson Rixon<br> Media: Installation, 11 color photographs (c-prints), seven monitors (sd), and one projection (hd) with sound (stereo).<br> Duration: 7 x 35 min of interviews, running independently (7 loops), 1 x 30 min backdrop (loop)<br> Voice: Russian, English, Swedish<br> Subtitles: English & Russian<br> Original installation: 65 square meters, black box video installation + wall space for 11 large format photographs.<br> Production year: 2008 (2006-2008)<br> <br><br> State of Mind Exhibitions:<br> Museum of World Culture, Gothenburg, Sweden, 2016<br> Space Taiga, St Petersburg, Russia, 2012<br> The Worth Ryder Art Gallery, UC Berkeley, Berkeley, CA, USA, 2011<br> Gallery Fotohof, Saltzburg, Austria, 2011<br> Moderna Museet, The Moderna Exhibition, Stockholm, Sweden, October 2010 – January 2011 (Discursive version)<br> Y Gallery for Contemporary Art, Minsk, Belarus, March 2010<br> The Kharkov Municipal Art Gallery, Kharkiv, Ukraine, July-August 2009<br> Art Arsenal/Gogol Fest 09, Kiev, Ukraine, September 2009<br> Gothenburg Art Museum, Sweden, September-November 2008<br> ROSPHOTO, St Petersburg, Russia, September-October 2008<br> Kulturhuset Stockholm, Sweden, July-August 2008<br> </p>
MOMENT: Grimmered <br>Gavle Konsthall, 2012<br>(parital view) <br><br><br> Title: <b>Brothers </B><br> Series: MOMENT: Grimmered<br> Meidia: 3 chanell video loop, no sound, 3 built in 40 inch monitors<br>Installation consists Brothers (3 ch video), a grid with more than 200 snapshots from the house, a series of altered faximiles from the archive, and a photograph of the archive, the remains of the expropriated farm. <br><br> Collaboration: Anna Viola Hallberg & A Karlsson Rixon <br>

CONTACT

ANNA VIOLA HALLBERG

artist/curator

Based in Stockholm and Mariestad, Sweden





Email: info (at) annaviolahallberg.com
Phone: +46 (0) 709356608
WhatsApp, Signal, Telegram, Element
h-a-v.bsky.social

◊ Msc, International Museum Studies, Gothenburg University, Sweden
◊ Ba, Cinema and Curatorial Studies, Stockholm University, Sweden
◊ Studio: Slakthusateljeerna (Stockholm)
◊ Member of KRO/Swedish Artists National Organization
◊ Member of WAP/Walking As Practice Cohort >>>
Member Node of WALC via WAPC >>> ◊ For full CV, previews and collections please contact the artist

Select Exhibition(Info aobut workrs shown gallery)
BECOMING LANDSCAPE (solo) DasEssZimmer, Bonn, Germany 2023 >>>
TYPOLOGIES OF SILENCE (solo) Museo de la Cuidad, Queretaro, Mexico, 2014 >>>