My works are time and site sensitive, they are approaches to insert disruptions in predominant narrations. My method is often research oriented situating a select group or topic to intervene in a process with to dismantle social or geopolitical contingencies. It does not explore objectivity as a philosophical reson, but is based in responsiveness on personal and collective testimonies and set in context to other pre-negotiated narratives to create new discursive contexts.
In this essence I see art as a site for elasticity, for critical dialogues, for doubt, for attempts for reestablishing a sense of direction or rhythm and yet to disengage with conformity. I see my practice as a critical tool to reveal covert layers in society and explore the dimension of art as a reflective ground for consciousness of shared space, and resource, from a vantage point committed to society a public entity.